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RedCafe.net Podcast Episode #27
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#10 (permalink) |
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Join Date: Apr 2009
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i hate that version, marc andré hamelin's deserves much more praise imo van cliburn, american pianist who managed to win the Tchaikovsky prize in Moscow in 1962 at the height of the cold war, one of the most gifted pianists of the 20th century alfred brendel, a true purist, perhaps the most familiar pianist to Schubert |
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#12 (permalink) | |
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etc etc etc |
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#16 (permalink) | |
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Join Date: Apr 2009
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The fact the guy dresses like a punk to get more coverage simply shuns the implicit rules of concert clothing and signals he may also deem unnecessary to subscribe to the rules of music playing. Concerning these concert clothing rules, all the pianists always subscribed to them, from Rachmaninoff to Horowitz, even Kissin does although he hates it as stated in this interview : And concert clothing?’ I’m wearing what it’s customary to wear, even if it may not be the most comfortable attire. and now springs up this bloke who wears sleeveless shirts, for what reason? The one underscored by Kissin in that same paragraph, creating a specific image, for he doesn't manage to do so merely by playing the piano. fantasy in outward appearance reflects, or rather mantles, lack of fantasy in playing. |
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#18 (permalink) | |
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if you call "non-robotism" and "nuances" the fact he slows down cadenzas from 6:31 onwards, I think you're insulting most of the other pianists you can find playing this piece on youtube who would easily be able to reminisce that Richard Kastle-like style of play but choose otherwise for the better. indeed most pianists could play like maksim does but maksim could play only like a handful. we all have different ears though, and apparently maksim has different ears to all of the following : horowitz, rachmaninoff, hamelin, brendel, cziffra, who play this piece on a completely different register much closer to how Liszt would have played in his virtuoso style, unlike what you infer. a confirmation of this can be found in this video of Emil von Sauer, one of the very few Liszt's pupils, playing his paramount work on an entirely different pace and lid than maksim |
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#23 (permalink) | ||||
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The Lang Lang comparisson was a fair one....Classical muso's hate him for many of the same reasons you hate this fella...i.e, non conformist attitudes to playing fecking music. Quote:
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Thats the standard reply of classical music snob...Who gives a shit? seriously?...it's pathetic. I'm not a fan boy, far from it, nor am I calling him the greatest ever, simply noting that his performance is a good one, while you are ranting about his clothing being "not standard" and as such, that he may not be as good a pianist, or some such rubbish...But we do all have different ears |
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#24 (permalink) | |
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#25 (permalink) |
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what difference does that make? Godfather I & II predate most of the significant films in Scorsese's career and were a direct influence on almost everything he did post them. Coppola is also a far better director (in my opinion) ...Adagio for Strings was used to great effect in both Platoon and The Elephant man, it's appearance in either doesn't detract from its usage or poignance in either one...You make bizarre arguments most of the time Nana
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#28 (permalink) | |
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In fact it was also used in the intro cutscene for Actua Soccer 3, which I've decided is far more important than either of those films, and it's a sad day, nay a disgrace, that it is being remembered for it's association with these two hack directors when it should rightfully be remembered for it's association with a semi popular video game franchise |
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#30 (permalink) | |||
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Then again his outward appearance might be seen as a mantle for this lack of musical ingeniousness, but to hear people say he is criticized because of his non conformist attitudes rather than his non conformist playing is mistake riddled. Quote:
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fully aware of the sytlistic and subtle nuances of the piece..as if the other pianists one can listen to on youtube are not fully aware of the subtle nuances of this piece, that would in that case loosely boil down to slowing down cadenzas after half length and not pressing pedals in critical moments. that's not only an insult to the other pianists in question, but also to Liszt whose work is vastly undermined. pertaining to rachmaninoff, i wholeheartedly agree with you and if you listen to the 5 versions I quote, his is the most akin to maksim's in terms of pace... however he does not need to modify candenzas to try and give it some extra dramatic effect. |
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#35 (permalink) | |
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I also don't claim to be any great shake when it comes to classical music performances...I couldn't really give a shit. If it sounds good, it sounds good. |
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#38 (permalink) | |
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Join Date: Apr 2009
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you can hardly say people criticizing maksim would have hated liszt or mozart without backing up your statements, if you think his performance sounds that good then all is well, all I did was suggesting elvis to listen to some others, which was the gist of my initial commentary even before i edited it as i knew you would come up with that clothes theme to make me come across as a musical snob for saying maksim's performance is lame |
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