There is a scene in
The Theory of Everything in which Stephen Hawking sits on a stage. He is almost immobile in his wheelchair; Eddie Redmayne, the actor playing him, is at the bottom of his descent into disability. Hawking sees a woman in his audience drop her pen, and the film shifts into a fantasy sequence: Redmayne rises from the wheelchair, straightens the limbs he’s been twisting and twitching in his portrayal of Hawking, and walks over to pick up the pen. He hands it to the woman, smiling flirtatiously, suddenly free of his disability and once again a handsome movie star. Then he returns to the wheelchair and resumes his imitation of the effects of
ALS, and the film’s action continues.
Every able-bodied actor who plays a disabled character performs a version of this scene, but they usually do it after the film has ended. Disabled writer Christopher Shinn, paraphrasing disabled writer
John Belluso,
explained this ritual in the Atlantic last year:
John Belluso had a theory about why actors who play disabled characters often win Oscars: It is reassuring for the audience to see an actor like Daniel Day-Lewis, after so convincingly portraying disability in My Left Foot, get up from his seat in the auditorium and walk to the stage to accept his award. There is a collective “Phew” as people see it was all an illusion. Society’s fear and loathing around disability, it seems, can be magically transcended.
The Theory of Everything is the embodiment of this idea. It is so keen to pander to able-bodied audience members’ disgust at disability, and to soothe the guilt they feel because of it, that it actually pauses to allow that “collective ‘Phew’ ” to occur during the film. James Marsh’s movie exists for two purposes: to make able-bodied people feel good about themselves and to win Oscars. It is succeeding in the first aim and may soon succeed in the second. Redmayne is
nominated for Best Actor at this year’s Academy Awards and, having just won one of the two equivalent awards at the Golden Globes (where there are separate awards for performances in dramas and performances in comedies and musicals), is
one of the two favorites to win.