I don’t think he stands out much in TDK (although I personally don’t like his suit as much as in Biggins) it’s Rises where he stands out. The one he spends most of in broad daylight, in a magical knee brace, after an old man in a cave prison bunched his broken back together again.... it’s also the one that - like this - also has a vague socialist revolution backdrop that it uses as a lazy plot mechanic to have things happen but doesn’t really explore or comment on in anyway at all..
I just view DK as a very entertaining but somewhat empty rip off of Michael Mann Heat. But yes more importantly BANE IS THE GOOD ONE!!! Might have been a Zizek review that points out the only person in the Rises who commits a ethical human act is Bane when he save the child from the prison pit.
also has a vague socialist revolution backdrop that it uses as a lazy plot mechanic to have things happen but doesn’t really explore or comment on in anyway at all..
Nolan is clearly a very smart bloke when it comes to film making etc but that doesn't mean it will translate into politics. My reasoning being when people tried to point out this vague socialist revolution backdrop to him, he had no idea what they were on about. To him it really might just be about funny sounding muscle man fighting batman and oh no big bomb! Which would be great as I quite like the idea that Nolan has no idea how deeply reactionary his films are.
Though it is amusing that most people thought this would have a clunky poorly nuanced coded right wing message... when it fact it has a clunky poorly nuanced left wing one.
And that this potential right wing message would have real world effects. While WB clearly played into this with their marketing, the reaction to the film has been the most interesting thing about it. Just a few years ago we all would have laughed at the ''moral'' conservative talking about the effects of video games and movies on our society but within the last week the New York Times has been asking similar questions.
There's a great Chapo episode featuring Patton Oswell talking how hollywood reacts to certain american presidents(
@berbatrick might know it). And the Joker again the reaction to it makes it the perfect Trump era film(You can read more about this in my guardian piece here - Why the clown emoji will be Corbyn downfall). The fact everyone is basically in a constant state of terror or at the very least being told to be in a state of terror, that the news is always breaking, every minute of every hour its breaking, it never stop breaking yet everything is still the same. If all it takes is one tweet from a certain someone to turn the world into shit then of course people are going to go crazy after watching 2 hour clown movie.
A clown movie as you said has more of a left wing message.