*sigh*
Why is it there's always people offended by others wanting to look at art, which is what Nolan certainly does his damnedest to make, and considering its political and philosophical implications? It's not even like there's any reaching involved. as is sometimes the case. All the Nolan films have been overtly, textually about class warfare, security, power, vigilantism and so on, and TDKR, as much as it lacks to guile to give the subject a truly compelling treatment and at times uses it as too blunt a plot device, centrally features a revolution.
Protip: you can still enjoy things whilst looking at them a deeper level, hell, I'd say you can enjoy them even more. I just watched a Batman film twice purely because the second viewing gave me a chance to focus on the film as political allegory, and I enjoyed every minute of it.
Christopher Nolan isn't Michael Bay you know, he has some significant limitations, but he is a proper film maker, not someone who merely wants his films to shock and awe you for 120 minutes and make him and some suits rich, even if he does those things as well.