How dare you. That scene when he's chatting about the cat that stares at Chris's photo was great.no he wouldnt have
The symbolism of it was the best part, but I dont think that you can really judge him as a character you just dont see enough of him only a few eps, no doubt whacking Leotardo was sickHow dare you. That scene when he's chatting about the cat that stares at Chris's photo was great.
Eh, you overrate Phil, Janice whacking Richie was just as big, Tony killing Chris evoked more emotion, and on and on. Part of the reason they had to bring him in was that everyone else was gone, Chrissy was dead by this point, Bobby was assassinated, Sil incapacitated, etc.True, kinda weird how they just brang him in one episode with no real introduction and he gets the main whacking of the series.
Adriana's episode wasThat pinewoods one was a classic.
But most of my favourites were the episodes envolving certain characters being killed off. Some amazing moments
“The guy killed 16 Czechoslovakians and he's an interior decorator”.That pinewoods one was a classic.
There's a big long essay online that broke down the ending using the camerawork and it's so well broken down that it actually seems rather definitive. It's probably old news to most of you but I found it fascinating.Best tv series ever, I was addicted to it. I watched the whole thing through 3 times and am about to start it again soon.
I can explain the ending, or rather my take of the ending, to anyone who is interested (in spoilers of course )
There are a lot of symbolic and metaphorical (sp?) images used in the final scene i.e.
The big painting behind Tony and family in the diner is Jesus Christ's "The Last Supper". This is portraying that Tony does get shot as does his daughter when she walks in.
Nice find mate, very interesting.There's a big long essay online that broke down the ending using the camerawork and it's so well broken down that it actually seems rather definitive. It's probably old news to most of you but I found it fascinating.
Basically there's a pattern established as people walk into the diner, starting with Tony himself. You hear the bell, you see Tony's face, then you see what Tony sees. Over and over again this happens when either insignificant characters walk in or when AJ and Carmela walk in. Bell, face, Tony's point of view.
Then towards the end you see the guy in the Member's Only jacket walking to the bathroom. The camerawork has given this guy an unusual amount of attention by this point, but here you see him walk by Tony and then down a hallway to the bathroom door. The way the camera is lined up you can clearly see that from Tony's head to the bathroom door is a completely unobstructed straight line path.
Finally at the end you get the same shot pattern as Meadow walks in. Bell, Tony's face, what Tony sees: pitch black. If you think back to the conversation Tony had with Bobby on the boat and it just seems like there's too many signs to ignore.
"Woah...his place looked like shit."“The guy killed 16 Czechoslovakians and he's an interior decorator”.
Possibly one of the funniest TV moments ever. I think that was the greatest episode of them all. It just had everything.
Also, you spastics, SPOILER YOUR feckING POSTS.
"Woah...his place looked like shit."
your worse than me....how many times have you watched it now?Putting in season 1 right now yum
One of the best lines in the show is in maybe season 4 I believe when Bobby and Veto are standing next to each other and either Tony or Chris goes, "Let me guess your the before, and youre(to Vito) are the way way before" hahaEasily the greatest television series of all time, each episode has atleast a couple of great moments, some of them - are just sheer brilliance; the college episode was immense, as was the one set in the forest. The depth of character intrigue was exceptional, as was the arcs in relationships.
One of my favourites was the Tony / Bobby Bacala arc.
My favourite characters:
1.) Paulie
2.) Silvio/Tony
3.) Bobby
4.) Uncle Jun
5.) Ralphie/Chrissy
Too convincing? How does that work?!I read the other day that David Praval, the actor who played Richie Aprille, auditioned for the role of Tony Soprano when the programme was first beginning and was turned down because he was too convincing in the role.
That's the crazy thing. Check out the Inside the Actor's Studio interview with James Gandolfini on youtube. He actually says that he didn't feel he was right for the role of a mob boss because he felt like his image and build didn't fit at all with how he felt a mob boss should look. But now if anyone were to mention the mafia and mob bosses to me, James Gandolfini as Tony Soprano will forever be the first thing that pops in my head.Too convincing? How does that work?!
It's difficult to say with hindsight with things like this but I don't think he would have made a good Tony. He was brilliant as Richie.